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0526512
BERTHA GALLAND (1876-1932).
American actress. As Isoult the Desirous in 'The Forest Lovers.' Photograph, c1901.
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0131569
LOVERS, c1900.
Courting in the woods. Posed photograph, American, c1900.
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0019729
WATTEAU: LA GAMME D'AMOUR.
'La Gamme d'Amour' (The Scale of Love). Oil on canvas, 1715-18, by Jean-Antoine Watteau. RESTRICTED OUTSIDE US.
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0005457
WAGNER: DIE WALKÜRE, 1856.
Wotan's farewell, a scene from Richard Wagner's opera 'Die Walküre,' composed in 1856 and first performed in 1870. Gravure after a painting by Konrad Dielitz (1845-1933).
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0267792
WELTE: HUNTSMAN.
Resting Huntsman with his Sleeping Lover. Oil on wood by Gottlieb Welte, mid 18th century. Full credit: Imagno - ullstein bild / Granger, NYC -- All rights reser
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0079488
PASTORAL LOVE.
Line engraving, French, 19th century, after Francois Boucher (1703-1770).
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0035734
TENNYSON: GUINEVERE.
'The Idylls of the King.' The Parting of Lancelot and Guinevere. Steel engraving, 1867, after Gustave Doré.
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0002006
GIBSON: HIGHWAYMAN, 1898.
Charles Dana Gibson (1867-1944). American illustrator. 'The Highwayman. Held Up.' Pen and ink drawing, 1898.
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0348325
LITERATURE & THE ARTS.
Richard Wagner (1813-1883), Tannhauser, 1842-1845. Set design by Michael Echter (1812-1879) for the performance at the Munich National Theater in 1867. Full credit: De Agostini Picture Library / Granger, NYC -- All Rights Reserved.
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0363896
LITERATURE.
Madame Bovary in the forest with her lover Rodolphe, illustration by Pierre Brissaud (1885-1964) for Madame Bovary by Gustave Flaubert. Le Livre edition, 1921. Full Credit: De Agostini Picture Library / Granger, NYC -- All rig
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0302821
FINE ART.
Rinaldo and Armida, 1813-1814, by Francesco Hayez (1791-1882), oil on canvas, 198x295 cm. Full Credit: DEA / A. DAGLI ORTI / Granger, NYC -- All rights reserved.
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0054700
LANCELOT & GUINEVERE.
'The Dawn of Love: Lancelot and Guinevere.' Steel engraving, 1867, after Gustave Doré for Lord Alfred Tennyson's 'The Idylls of the King' first published in 1859.
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0602570
INDIA.
Abhisarika is a heroine, who sets aside her modesty and moves out of her home to secretly meet her lover. She is depicted at the door of her house and on her way to the tryst, defying all kinds of difficulties like the storm, snakes and dangers of the forest.. Full credit: Pictures from History / Granger, NYC -- All rights reserved.